RUBY ADAMS (Keenan Kampa) is a dancer from the Midwest on scholarship, living her first day in New York City. JOHNNIE BLACKWELL (Nicholas Galitzine) is a British musician, playing for money in the subway tunnels. Ruby’s world is classical and disciplined; Johnnie’s is improvisational and street smart. When a hip-hop battle gone wrong throws these two artists together, they immediately clash but can’t deny it when sparks begin to fly. Their lives quickly get entangled in the pitfalls that come with competing in New York City. With the help of a dynamic dance crew called The SwitchSteps, Ruby and Johnnie must find a way to save Ruby’s scholarship and keep Johnnie from being deported. In an action-packed extravaganza combining cutting edge hip-hop with contemporary and classical dance, the two must navigate their opposing worlds and prepare for a competition where winning or losing will change their lives forever.

Originally, I was intrigued when I heard about the movie High Strung. In fact, I saw Michael Damian and Jane Seymour on Home & Family, and I did some research to find out if it would be coming to a theater near me. Alas, the answer to that was a disappointing no. Then I forgot about it, but because of some super-sleuthing on my part, I came in contact with the film and Michael Damian yet again. In preparation for an incredible interview with this fabulous director, I digitally rented the movie and was completely entranced. Then I shared it with my whole family. And now that the film is available on DVD, I thought the time had finally come to review it.

Possibly the most recognizable actress in the cast–at least for me–is Jane Seymour. I have been a long-time fan and follower of her career, and although her role of Oksana is brief, her impact on screen is just as warm and lovely as always. While Oksana can be perceived as “tough as nails” or may even be described as having no heart whatsoever, first impressions can be deceiving. As most people know, the world of entertainment (and this includes dance) is a brutal business. Nothing is going to be handed to you on a silver platter, and Oksana is that almost stereotypical dance instructor who pushes her students without taking the moment to recognize their accomplishments. She is especially hard on Ruby, but that is understandable. Teachers often expect more from pupils who show genuine promise. In the end, we see Oksana’s true soul (I’m not spoiling the story for you–you need to watch it yourself).

If another actress played this role, there is an excellent chance that Oksana would have been perceived as even more inexorable than the way in which Jane plays her. However, Jane has found the correct balance between being critical of a lesser attempt and being complimentary of an outstanding performance. While the character could become hackneyed, in Jane’s capable hands, there is nothing to fear. Jane infuses that air of elegance and emotion that causes us to never tire of seeing Oksana on screen.

As the kindly, seasoned Kramrovsky, veteran actor Paul Freeman gives an exceptional performance (as if he could do anything else, right?). As an actor who is known for his character roles and his versatility, in this role, Paul demonstrates his prowess at being the nice, older gentleman who is patient and loves to impart his wisdom to the younger generation. As the dance instructor that utters my favorite line in the entire movie (“It’s imperfection that keeps us alive, motivating us to push further and further.”), Kramrovsky holds a special place in my heart. Paul and Jane together make quite the captivating couple. The viewers cannot help but wonder if there will be a future for these two (maybe in the sequel?).

But since this is a dance film, where would we be without the amazingly talented dancers that are woven into every scene (practically) of the storyline?  Whether they are in the subway, in the pub, at the high class party, next door to Johnnie, or at the contest at the end of the film, the dancers are undeniably the driving force of this phenomenal film.

We are treated to some of the most remarkable young dancers that exist on this planet today. A favorite of mine is Comfort Fedoke–yes, I am a massive So You Think You Can Dance fan. Which is why I also recognized the stupendously talented Dave Scott, the movie’s choreographer.  I am ecstatic that he was honored with the Fred and Adele Astaire Dance Award for his impassioned work because as exquisite as the music, story, and acting is in the film, without the dancing, this movie would potentially fall flat.

Quite seriously, there is a style of music and dance for everyone in this film. Whether you like classical ballet, hip hop, contemporary, Irish jig, ballroom, or a mix of any of these, you’re going to find something that will resonate with your style. The music is also superb, composed by Nathan Lanier. (I see So You Think You Can Dance in his resume, too. No wonder I enjoy this film so much!)

Also notable in this cast list is Ian Eastwood, a young dancer who is so impeccably talented and quite well-known amongst the younger set (of whom I’m not a part, but hey, I can recognize talent too even though I’m in the middle-aged crowd).

There are other fine performances given from all of the supporting cast, but it is a treat to see Marcus Emanuel Mitchell, Nigel Barber, Maia Morgenstern, and plenty more, of course. No matter who is on screen, the acting never appears fake and always comes appears authentic and heartfelt, even amongst these minor characters.

For much of the film, the story centers around a core group of young dancers.  While Ruby and Johnnie are central to the action, the two potential lovers must encounter a few hardships. I think that’s what makes this film work. While the concept of “roses and sunshine” prevails, there are some moments of high tension caused by Kyle, April, and even Jazzy, to a degree.

As the rebellious Jazzy, Sonoya Mizuna does an incredible job of being exactly the opposite of what Ruby is. Sometimes, that’s a good thing, but ultimately, Jazzy has to learn the hard way. Sonoya plays an outstanding foil to Keenan Kampa (Ruby), and how those characters remained happy roommates is beyond me! I guess it’s the old adage of “opposites attract,” but off-screen, there is no doubt these two got along well. I tip my hat to those who chose Sonoya and Keenan, as they were indeed perfectly cast!

Another triumph is the casting of April. I had the supreme opportunity to interview  Anabel Kutay . Not only is she an exceptional dancer, but she is an extraordinary actress. Every story has to have a villain, right? And sometimes, that “bad guy” is actually a beautiful young lady with talent dripping from her fingertips and her toenails. It’s difficult to hate April. I mean, who could? She dances with a sort of grace that few dancers possess, and don’t even get me started talking about how amazing Anabel is. All too often, young performers are not aware of all the time that must be invested in promotion of their works. Not to be disparaging of any young actor–after all, they tend to eventually learn–but with Anabel, not only is she a spectacular dancer and actress, but she grasps the concept that so few comprehend early on. Be “fan friendly” and promote, promote, promote! This girl has a brilliant future. And I have it on good authority that the Damians think she is unbelievable!

Nicholas Galitzine as Johnnie, Keenan Kampa as Ruby, Richard Southgate as Kyle

Welcome to the prelude to my all-time favorite scene in the film (dueling violins–unbelievable!). As Kyle, Richard portrays the snobbish, pretty rich boy who has always had everything handed to him on a silver platter (and he thinks that includes Ruby). What could anyone want with a low-life like Johnnie after all? So in truth, Kyle and April make the perfect diabolical couple, but they are not past redemption. That’s another thing I adore. Richard and Anabel both keep the spirit of the film alive. The audience struggles to despise either of them. And hopefully, we’ve not seen the last of this duo. After seeing Nicholas and Richard face off (and hearing about the commotion they caused in their hotel room), it would be superb to see a rematch!

At the heart of the story is the tender love story between Johnnie and Ruby. Some may call is hokey, but for me, it was genuine. These two are learning about love from each other for the first time, and their growing affection is wrapped in the innocence of youth. And that is at the core–there is NEVER anything that smells of impropriety between the two. In this world of movies and TV shows where men and women jump in and out of each other’s bed and have nights of passion that make a middle-aged single mother blush (and I was married for ten years), it is extremely refreshing to sigh with relief and swoon at the sweetness of Johnnie and Ruby together. Their chemistry is perfection, and I wish more filmmakers would take the high road as the Damians chose to do.

What can be more romantic than blending the world of dance and music to create something so fresh that the audience is breathless during their performance and applauds wildly at the end as they’ve never seen anything to equal it? Will the judges like it? Well, I’m certainly not going to ruin the story for you!

From the first meeting all the way to the end, Nicholas and Keenan are mesmerizing. I could not turn away from the beauty on screen. Together, they make one of the most consummate couples in all of the world of music and dance films–especially in today’s sordid environment. Subtleties are so underrated, aren’t they? To bring back a simpler time when looks, glances, holding hands, and simple brushing of the lips actually meant something and it was not assumed the couple would be sleeping together in some cheap hotel that night to prove their love.

How can one even describe the varied talents of Nicholas as Johnnie? There was never a time I didn’t like Johnnie, and I was on his side from the beginning. He had given up everything for his passion of music. Ruby disrupts his life, but she also broadens his horizons. She makes him feel with his heart again as she is never out to take advantage of him. Nicholas immerses himself so much in the role that I was overwhelmed by his portrayal. Of course, his good looks and nice physique always help, right?

As Ruby (who really is a type of Janeen Damian herself at that age), Keenan is beyond words. Flawless as a dancer, immaculate as an actress, and when the girl smiles, it is so pristine and infectious.

Once you read Keenan’s accomplishments, I think it’s safe to say that her qualifications are dazzling. I seriously hope with all of my heart to see her in the next installment. It wouldn’t be the same without her or Nicholas.

Finally, I would be woefully neglectful if I left out the geniuses behind this movie. Michael and Janeen Damian–writers extroadinaire.

And Michael did practically everything else (okay, not quite, that’s an exaggeration). He is the director, producer (along with Janeen), editor, and big-time promoter (again, with Janeen). They have crafted something that this world has needed for a long time. Framed in the auspices of a family-friendly film that celebrates music, dance, love, hope, and following your dreams and passions, Michael and Janeen have created a gem that continues to reverberate with people all over the world from every walk of life. Young, old, male, female, parent, child, grandparent, musical, non-musical, dancer, non-dancer, and so on. This film has something that only these two could impart–heart. They could have gone the route of making a film with edginess, sex, violence, and more, and maybe it would have made more money. Every day in Hollywood, there are filmmakers who throw their true selves out the window and create the next money-maker. But Michael and Janeen chose to follow the advice I continue to hear, especially as I have more and more interactions with the entertainment community. “Stay true to yourself, no matter what.” Maybe they didn’t pick the easy road, but they chose the road that kept their principles, values, and their hearts and souls intact. And for that, I salute these two pioneers in the world of film and television. Oh, and by the way, they are really nice people–some of the kindest, most down-to-earth people on the planet.

So have I convinced you yet? Are you ready to check the film out for yourself? I sure hope so! Be sure to check out all the links below, and pick up a copy for you and your family today. I promise you won’t regret it.

FOLLOW HIGH STRUNG

Website

Twitter

Facebook

Instagram

YouTube

IMDB

Spread the love

Tweet